Among the holdings of the Oviedo Municipal Archive are documents that allow us to reconstruct the history of the Teatro Filarmónica.
Through these records, we can gain a better understanding of how cultural institutions that still form part of Oviedo’s identity today first came into being.
Cover page of the architectural project. This document contains the original proposal for the building and is one of the most important records for understanding the theatre’s initial design concepts.
Initial layout of the stage area.
Relationship between stage and auditorium.
Original design of the façade.
Plans, records, architectural projects and images illustrate the building’s construction process and its uses over time.
Among these is the initial proposal for a ballroom and restaurant situated on the building’s ground floor.
Designed by the architect Francisco G. Villamil, it would later develop into the well-known Sala Alaska.
The plans detail the layout of the ballroom, bar, kitchen and orchestra area.
The entrance to the future ballroom had a sober and elegant aesthetic.
Under that name, it became part of the collective memory of several generations of Oviedo residents.
Banquets, dances, performances and other highly popular events were held there.
Decorative Elements and Classical Iconography Featured in the theatre’s original design.
Illustration from the original documents showing the allegorical figures of the Muses, later brought to life by Paulino Vicente in a fresco above the theatre stage.
Tempera motif above the stage, preserved as part of the Filarmónica’s stage set.